So here we are back at Blackwell again, but we’re in a very different setting now. The hall is almost medieval in design and is quite dark. The architect deliberately designed the rooms so that you were moving from dark oak panelling through this corridor to light, very light indeed.
So much in this beautiful room is similar (ish) to Rennie Mackintosh’s Hill House in Helensburgh. Again there are sitting neuks by the fireplace, perfect for curling up with a book. I’m fairly sure that the frieze at the top of the wall and the ceiling is papered with Lincrusta, a kind of wallpaper which incorporates plaster designs sandwiched between the paper. It’s on the ceiling too, a fairly inexpensive way of adding luxury to a room, I think you can still buy it today.
The corner cupboard below is flanked by two stylised trees, natural motifs are all around the house in the decor, particularly rowan berries, and apparently when the house was taken over after a long period of neglect there was a rowan sapling growing inside this cupboard!
I think all of the rooms have window seats.
But the white room has two window seats, one with a view of the garden, above and a great view of Lake Windermere below.
It’s such a shame that Blackwell was never a real family home, just a holiday house for a short time in the summer. The pottery in this room is by Willem de Morgan – it’s stunning.
