L’Assommoir (The Drunkard) by Emile Zola

L’Assommoir by Emile Zola was first published in 1876. It’s the seventh book in his Rougon Macquart series.  My copy of the book is a Penguin Classic, published in 1985, it was translated by Leonard Tancock. I think he made a really good job of it.

The story begins with the young mother Gervaise waking up and realising that her partner Lantier hasn’t come home overnight – for the first time – she’s desolate. The couple had got together when Gervaise was just 14 and Lantier 18 and Gervaise had their first child when she was 14. They moved to Paris from the countryside when Lantier came into some money, and they had lived the high life until the money ran out. He leaves Gervaise, runs off with a local woman and cons Gervaise into pawning her clothes before he goes, so she’s left with the clothes she stands up in, he even took the pawn tickets.

In truth he’s no loss though, Gervaise can get on better without him and eventually she takes up with Coupeau, a roofer, and they get married and have a daughter, Nana. Gervaise is a hard working laundress and dreams of having her own laundry, she’s able to save money but just as it looks like she’ll be able to become her own boss Coupeau has an accident, falling off a roof. Gervaise is determined to nurse him herself, not trusting the doctors in the hospital, it’s a slow recuperation but a bit of a miracle that he has survived at all. However, all of the money has been used up by the time he is able to get out of bed, but worse than that, his whole personality has changed.

Coupeau’s previous strong work ethic has evaporated, he had enjoyed lazing in bed, has probably lost his nerve anyway, roaming about on roofs doesn’t have the same appeal to him now. Worst of all is that he has gone from hardly drinking alcohol at all to meeting up with old workmates in bars and drinking the day away. But Gervaise never complains, she’s far too easy going.

She does get her dream though as she manages to borrow money from a neighbour whose son is sweet on Gervaise, and it isn’t long before her laundry business is doing very well, she’s good at her job. Nobody is perfect though and Gervaise is concerned with what others think of her, she has a kind nature but she also likes to show off and is generous to people, which all costs money. Food is her downfall, she loves to cook delicacies and a party is more like a Roman feast, with everyone stuffing themselves and drinking wine until they throw it up. But she ends up owing money to all the shopkeepers and she is keeping Coupeau in money, he has no intention of working, but has turned into a drunkard.

Things go from bad to worse when Lantier turns up again and moves in with them – well – he is the father of her sons, but you can imagine what the neighbours thought of that situation. Gervaise now has two men to feed, clothe and keep in alcohol. It all ends in tears of course.

So that’s the bare bones of the book, there are a lot more ins and outs. It’s a great read although grim. I’m reading this series all out of order which I don’t think is really a problem, but this one features the childhood of Etienne – of Germinal fame, and of course Nana. I didn’t mean to take so long to get around to reading more by Zola, hopefully I’ll get around to another one next month.

 

Nana by Emile Zola

Nana cover

Nana by Emile Zola was first published in 1880 and it’s part of his Rougon Macquart series which I’ve been reading completely out of order. There’s a list on Goodreads which recommends the order they should be read in, you can see it here. I’m not sure if it makes a huge difference to the enjoyment of the books.

Bluntly, this book is about prostitution and the part it played in French society of the Second Empire, particularly in Paris. Nana is the main character and in the beginning she’s a new girl in a theatre, her first experience on stage didn’t go well at all, she couldn’t sing, but she had the wit to realise that a lack of talent wouldn’t be a problem for her, she had a great figure and she was more than happy to show it all off, with just a very thin gauze veil for cover.

The men are agog, so are a lot of the women, and Nana goes from being a penniless unknown to being the toast of Paris, in some circles anyway. She’s a manipulative and totally dishonest tart who as time goes on becomes more and more out of control. The wonder is that the men involved with her were happy to put up with her nonsense, but there’s nowt as queer as men when it comes to sex it would seem!

Apparently Zola did a lot of background research for this book and he even managed to get a peek at a very ornate and expensive bed of a famous Parisian courtesan, and he based Nana’s bed on that one. As ever Zola’s descriptions light up the book but I didn’t enjoy it as much as the others of his that I’ve read. Zola wanted to compare Nana’s destructiveness with that of the French Empire’s disintegration which came in 1870.

Zola did set out to show how hereditary weaknesses affected various members of the families in this series and Nana’s personality is completely out of control, self-centred and destructive. She’s a nutter, one of those women who should have ‘dangerous to everyone’ stamped on her forehead. She’s smart though, much wilier than everyone else and has the unusual (for that society) tendency to kindness when others are in despair.

This one was on my Classics Club list.
Have you read Nana? What did you think of it/her?

The cover of my Penguin Classic shows ‘Nana’ painted by Edouard Manet.