This week in Bookshelf Travelling in Insane Times which is hosted by Judith at Reader in the Wilderness I’m focusing on books for children (of all ages).
This shelf is in the smallest spare bedroom of our home and when we moved here after Jack retired I grabbed it as a sort of hobby room of my own for my stuff, which includes books and sewing/crafting materials. It is not at all tidy in fact sometimes the whole place resembles a burst cushion, but if you are a crafter you’ll probably understand how that comes about!
Anyway the shelf is home to a lot of classic children’s illustrated books – Winnie the Pooh, The Secret Garden, Peter Pan, The Wind in the Willows, European fairy tales and others.
I love Kate Greenaway’s illustrations although some people complain that her figures aren’t well proportioned. I sort of agree but they are very charming and the copy of The Pied Piper of Hamelin by Robert Browning is lovely. Apparently the book was first published in 1888 with wood block designs engraved by Edward Evans. You can see some of the Kate Greenaway illustrations here.
I also love Arthur Rackham’s illustrations. My copy of his version of Rip van Winkle which is written by Washington Irving is a delight, the colours are muted as you would expect of Rackham, but that adds to their attraction to me. You can see some of the images here.
I had to buy E.Nesbit’s Melisande when I saw that it was illustrated by P.J. Lynch. I wanted it as soon as I saw the cover. I love those medieval European buildings as well as Melisande and her gorgeous flowing locks. You can see some of the illustrations here.
The Nutcracker retold by Anthea Bell has lovely illustrations, although more modern than some of the books on this shelf. The illustrations are by Lisbeth Zwerger, you can see some of her work here.
Lastly – for the moment – Merlin Dreams is a book that I haven’t read yet. It’s written by Peter Dickinson and illustrated by Alan Lee who is apparently a highly regarded fantasy illustrator. This one doesn’t have so many illustrations, it’s obviously meant for older children. Alan Lee’s work is very ethereal looking to me, perfect for this book of Celtic fantasy. You can see some of his work here