Guardian links

Spookily – just as I have started reading Shirley Jackson’s books, up pops a biography of her called Shirley Jackson: A Rather Haunted Life by Ruth Franklin. You can read a review of it by Sarah Churchwell here.

There’s also an article by Frances Spalding about the Joan Eardley exhibition at Modern Art 2 in Edinburgh – the one we went to a couple of weeks ago, you can read the article here.

There’s also an article about Doris Lessing’s books by Nick Holdstock, and you can read that here.

In this article Nick Holdstock writes that he had been asked to make an inventory of Lessing’s over 4,000 books. He had hoped that Doris Lessing’s books might have notes in the margins, clues to her work maybe, but very few of her books had been written in.

How do you feel about writing in books? I have to admit that I don’t write anything in books, not even my name, although when I was first married I did do that on bookplates that I stuck in my books. I think that was because I was putting both my own name and my married name on them. I had a friend who used to write her name and the date and place that she bought the book on the inside cover. I thought that was quite a good idea but I’ve never done it myself.

I buy a lot of old books and often they were originally gifts, in fact I’m just about to start reading Miss Mole by E.H. Young and I noticed that it was given to Evelyn Heaton-Smith from Rodi – in July 1937. I love that, I want to know who they were, what sort of lives did they have?

Partly I think that it’s because I have so many books that makes me not bother to write even my name in them. I can’t really understand why anyone would want to write notes in books – to themselves. But I do have just one of my dad’s books and he wrote his name in it, it’s one of the very few examples of his handwriting that I have. Mind you people tend not to write anything at all nowadays, everything’s done on computers.

Joan Eardley Exhibition

Joan Eardley

On Thursday afternoon we went to Edinburgh to visit the Scottish artist Joan Eardley’s exhibition at the Modern Art Gallery 2 Sadly this exhibition isn’t free, I think it cost £9 but we became ‘friends’ of the galleries which is well worth the money if you enjoy visiting art exhibitions. Firstly we parked the car at the wrong gallery and had to walk across the road to Gallery 2. Then when we did get there I was quite disappointed because there was just one small room with her Glasgow children paintings on display and I nearly left a comment saying I was disappointed that it was so small. Just as well I didn’t as it turned out that there are four more rooms full of her work upstairs. lots of them are landscapes of the wee village of Catterline that she stayed in for years, travelling between her cottage there and her studio in Glasgow. Catterline is north east of Aberdeen, and in the 1950s when she was painting there they still had a small salmon fishing business going on. She bought a cottage there for £30, it had no running water or anything but even so, I wonder how much those cottages cost nowadays!

It’s fair to say that Eardley’s paintings of the Samson children who lived in a flat beneath her studio in Glasgow are not things of beauty. They were living in abject poverty – a family of twelve children who were all models for Eardley, but when you see the actual paintings you see the detail in the background and she captured the essence of a time and place that no longer exists. There are three short films in the exhibition too where you can see her at work and old Glasgow of the 1950s in a film about renewal plans.

The Catterline paintings were my favourites though and there were a couple that I would happily have hung on walls in my home. Unfortunately as usual the gallery shop didn’t have any prints of my favourites.

The exhibition also has a lot of photographs of the Samson children and letters from the artist to friends and her sister. It’s so sad that she died of breast caner when she was only 42, especially as one of the letters says that she is going to the doctor because her bosom was giving her such a lot of pain. Obviously she should have gone to the doctor a lot earlier than she did.

If you’re interested in seeing images of her artwork have a look here.

You can see images of Catterline here.

Catterline