We’ve been to the New Era exhibition at the Modern 2 Gallery in Edinburgh and I’ve blogged about our first visit here. This time I’m showing one of the sculptures. Below is a model of a brass head by J.D. Fergusson who is better known for his paintings. It’s called Eastre (Hymn to the Sun) and was created in 1924. It’s very much of its time I think, it looks very futuristic and reminds me of Princess Leia. You can read more about it here.
Below is The Hunt by Robert Burns, created around 1926. When I first saw this one I really didn’t like it, it seemed too gaudy, the gold paint really stands out, you can read about it here. This one originally decorated a wall in an Edinburgh tearoom in Princes Street. The artist was commissioned to design everything in the tearoom, including the cake stands.
This one really grew on me and the amount of detail in the painting is wonderful. Very un-Edinburgh especially for the 1920s, evidently it was a far more exciting place than I had imagined.
Finally, The Sensation of Crossing the Street by Stanley Cursiter.
Towards the end of last year we had an afternoon out at the Scottish National Gallery of Modern Art, particularly to view their exhibition called A New Era – Scottish Modern Art 1900 – 1950. The exhibition is on until June the 10th, 2018 and unfortunately it’s one that you have to pay to see unless you’re a ‘Friend’ of the galleries, as we are.
We’ll be going to see it again as it’s a really good exhibition over four galleries although I must admit that we both enjoyed the first two galleries more than the others. I took a note of some of my favourites so I could share them with you.
Stanley Cursiter painted in a variety of styles over his career but I particularly love The Regatta which I saw in Edinburgh. It was painted in 1913 and still seems incredibly fresh and modern to me.
Also Eric Robertson‘s The Shellburst
I’ve actually got a wee print of the one below. Edinburgh Castle and skyline must be one of the most often painted views but this one manages to be quite different in a good way – I think, but you may not agree.
William Crozier’s Edinburgh from Salisbury Crags.
You can see more of his works here.
We’ll be going back for another keek at the exhibition at some point before it closes.